Tuesday, February 4, 2020
The asylum in Traverse City was an unusual place to shoot. Not just because of the history, but because of the physical environment. Specifically the lighting. Bear with me, as this is going to be geared more for the experienced photographers among you.
These are abandoned buildings. They have no electrical power, so the only light available is via windows or what you bring with you. Conditions were in some cases total and complete darkness. This photo depicts conditions about as good as they got as fat as light goes. Plenty of ambient sunlight coming through (mostly broken) windows.
The fascinating thing for me in going through the asylum was not the challenge of light however.
It was the incredible variation in color.
We were in some rooms that were painted all blue, or orange, or peach. But even the rooms which were painted white, as this one was, reflected colors from the surrounding rooms, or from the outdoors.
This shot is interesting to me because you have the green in the background, which is light reflected off leaves in the trees outside the window, the blue in the foreground, which is reflected off a tarp hung over a window off to the right, and the red/yellow hue in between, which is the dingy, faded yellowing white paint of the actual walls. It is a surreal version of a color wheel, all in one photo.